Mackie FINALMIX TRACKTION Guía de usuario Pagina 34
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Tracktion 4 Reference Manual
34
Chapter 2: The Settings Page
Chapter Contents
2.1 : Audio Settings
The Audio Input And Output Devices
PC And ASIO Drivers
Mac And CoreAudio Drivers
Input Device Properties
Output Device Properties
2.2 : MIDI Settings
MIDI Input Device Properties
MIDI Output Device Properties
2.3 : User Interface
The User Interface Options
Using The Colour Editor
2.4 : Plugins
2.5 : Loop Settings
2.6 : File Settings
2.7 : Key-Mappings
2.8 : Control Surfaces
Installing Control Surfaces Into Tracktion
Custom Controllers
Selected Controller Properties
Mackie Control Universal Specic Properties
Custom Control Surface Specic Properties
The Edit Control Mappings Window
- REFERENCE MANUAL 1
- Tracktion 4 Reference Manual 2
- Table of Contents 3
- Introduction 5
- Figure I.2.1 6
- Sample Resolution (Bit Depth) 7
- Introduction 3: MIDI Basics 9
- Chapter 1: The Projects Page 11
- 1.1 : An Overview 12
- Figure 1.1.2 13
- Figure 1.1.3 13
- Figure 1.1.4 14
- Figure 1.2.1 16
- Figure 1.2.2 16
- Figure 1.2.3 17
- Figure 1.2.5 18
- Figure 1.2.4 18
- 1.3 : The Items List 19
- 1.4 : The Control Panel 20
- Figure 1.4.3 21
- Figure 1.4.4 22
- 1.5 : The Clipboard Panel 23
- 1.6 : The Search Tool 24
- 1.7 : Template Projects 25
- 1.8 : Edit Properties 26
- Figure 1.8.3 27
- 1.9 : Audio Item Properties 28
- Figure 1.9.3 29
- The Basic Editing Options 30
- Figure 1.9.6 31
- 1.10 : MIDI Item Properties 32
- 1.11 : Movie Item Properties 33
- Chapter 2: The Settings Page 34
- 2.1 : Audio I/O 35
- PC And ASIO Drivers 37
- Mac And CoreAudio Drivers 37
- Input Device Properties 37
- Figure 2.1.3 39
- Output Device Properties 40
- 2.2 : MIDI I/O 41
- MIDI Input Device Properties 42
- MIDI Output Device Properties 43
- 2.3 : User Interface 44
- Using The Colour Editor 47
- Figure 2.3.3 48
- 2.4 : Plug-Ins 49
- 2.5 : Loop Settings 50
- 2.6 : File Settings 52
- 2.7 : Key-Mappings 53
- 2.8 : Control Surfaces 54
- Custom Controllers 55
- Figure 2.8.3 56
- Figure 2.8.4 56
- Figure 2.8.5 56
- Figure 2.8.6 57
- Figure 2.8.7 58
- Chapter 3: The Edit Page 59
- 3.1 : An Overview 60
- Figure 3.1.3 61
- Figure 3.1.4 61
- Figure 3.1.5 62
- Figure 3.1.6 62
- Figure 3.1.7 62
- Figure 3.1.8 63
- Figure 3.1.9 63
- 3.2 : The Quick Find Panel 64
- Figure 3.2.4 65
- The Loops Mode 66
- The Markers Mode 67
- The Clipboard Mode 67
- 3.3 : Working With Tracks 68
- Folder Tracks 69
- Figure 3.3.3 70
- Figure 3.3.4 70
- Figure 3.3.5 71
- Figure 3.3.6 71
- Figure 3.3.7 72
- Figure 3.3.8 72
- The Track Properties 73
- Figure 3.3.10 74
- Figure 3.3.11 74
- Folder Track Properties 75
- 3.4 : The Filter Section 76
- The Right-Click Options 77
- The Mute / Solo Buttons 78
- The Volume / Pan Filter 79
- Figure 3.4.8 80
- The Level Meter Filter 81
- The 4-Band Equaliser 82
- The Tracktion Sampler 83
- The Aux Send / Return Filters 85
- The ReWire Filter 86
- Figure 3.4.22 87
- 3.5 : The Control Section 88
- Figure 3.5.3Figure 3.5.2 90
- 3.6 : The Transport Section 91
- The Master Filter Section 92
- Figure 3.6.2 93
- Figure 3.6.3 93
- Chapter 4: Working With Clips 95
- 4.1 : An Overview Clips 96
- The Clip Tools 97
- 4.2 : Working With Clips 98
- Selecting Multiple Clips 100
- 4.3 : MIDI and MIDI Clips 101
- Figure 4.3.2 102
- Figure 4.3.3 102
- Figure 4.3.4 102
- Figure 4.3.5 103
- Figure 4.3.8 104
- Figure 4.3.6 104
- Figure 4.3.7 104
- The MIDI Clip Properties 105
- Figure 4.3.11 106
- Figure 4.3.12 107
- Figure 4.3.13 107
- Figure 4.3.14 107
- Figure 4.3.15 108
- Figure 4.3.16 109
- 4.4 : The MIDI Editor 110
- Figure 4.4.2 111
- Figure 4.4.3 111
- The Velocity Editor 112
- Editing Controller Events 113
- Step Entry 114
- Figure 4.5.1 115
- Figure 4.5.2 116
- 4.6 : Audio Clips 117
- Figure 4.6.2 118
- Figure 4.6.5 119
- Figure 4.6.3 119
- Figure 4.6.4 119
- Figure 4.6.7 120
- Figure 4.6.6 120
- Figure 4.6.8 121
- 4.7 : Looping Clips 122
- Looping MIDI Clips 123
- Figure 4.7.4 124
- Figure 4.7.5 125
- Figure 4.7.7 125
- Figure 4.7.6 125
- Figure 4.7.8 126
- Chapter 5: Recording 127
- Figure 5.2.1 129
- Figure 5.2.3 129
- Figure 5.2.2 129
- Normal Recording Mode 130
- Punched Recording Mode 131
- Looped Recording Mode 131
- Step Recording Mode 132
- And Snap To Grid 133
- Signatures 134
- Figure 6.2.2 135
- Figure 6.2.3 136
- Figure 6.2.4 137
- Figure 6.2.5 137
- Figure 6.3.1 138
- Figure 6.3.2 138
- Figure 6.3.3 139
- Figure 6.3.4 139
- Figure 6.4.1 140
- Figure 6.5.1 141
- Working With MIDI Clock 142
- Working With MIDI Timecode 142
- MIDI Machine Control (MMC) 143
- Figure 6.7.2 144
- Figure 6.7.1 144
- Chapter Contents 145
- Figure 7.2.1 146
- 7.3 : Mix Automation 147
- Figure 7.3.2 148
- Figure 7.3.3 148
- Figure 7.3.4 Figure 7.3.5 148
- Figure 7.3.6 148
- Figure 7.3.7 148
- Figure 7.3.8 149
- Figure 7.3.9 149
- Figure 7.3.10 150
- Figure 7.3.11 151
- Figure 7.3.13 152
- Figure 7.3.12 152
- Figure 7.3.14 153
- Figure 7.3.15 153
- Figure 7.3.16 154
- The Automation Button Options 155
- 7.4 : Using Control Surfaces 156
- Figure 7.4.1 157
- Figure 7.4.2 157
- Figure 7.4.3 158
- Figure 7.4.4 158
- Figure 7.4.5 159
- Figure 7.4.6 160
- Figure 7.4.7 161
- Figure 7.4.8 161
- Figure 7.4.9 162
- Figure 7.4.10 163
- Figure 7.4.11 164
- Figure 7.4.12 165
- Figure 7.4.13 165
- Using The Mackie C4 166
- Using the Remote SL 169
- And Rendering 172
- Figure 8.1.1 173
- Figure 8.1.2 174
- 8.2 : Exporting Audio 175
- Figure 8.2.2 177
- 8.3 : Exporting MIDI 178
- Rendering Tracks 179
- Freezing Tracks 180
- Figure 8.5.1 181
- Figure 8.5.2 181
- Figure 8.6.1 182
- Chapter 9: Rack Filters 183
- Figure 9.1.2 184
- The Rack Filter Editor 185
- Figure 9.2.2 186
- Figure 9.2.3 186
- Building A Rack By Hand 188
- Figure 9.3.3 189
- Figure 9.3.4 189
- Figure 9.3.5 190
- Figure 9.4.1 190
- Figure 9.4.2 191
- Figure 9.4.3 191
- The Track Spanning Approach 192
- The Modular Approach 193
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