Mackie FINALMIX TRACKTION Guía de usuario Pagina 32
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Tracktion 4 Reference Manual
32
1.10 : MIDI Item Properties
When a MIDI item is selected, its properties are displayed in the properties panel (Fig. 1.10.1). Vari-
ous tools and options related to the MIDI item can be found on this panel.
Name: This eld shows the MIDI item name, as seen in the items list. You can also alter the name here;
this does
not necessarily affect the MIDI clip’s le name, however. See Chapter 2.6 for details on item re-
naming behaviour.
Project: This eld shows the project to which this MIDI item belongs.
File: This eld shows the location of the MIDI le on your hard-drive. The button to the right displays a
pop-up menu (Fig. 1.10.2) with the following options:
•
Choose a different le for this clip to refer to...: This option allows you to change the underly-
ing le for the MIDI item. This can be useful if the le has been moved, and Tracktion cannot nd
it. In this case, you can use this option to locate the MIDI le and re-associate it with the item.
•
Rename this le...: You can rename the MIDI le.
•
Open the folder containing this le..: Typically your edits and recordings will all reside in the
project folder. This option is therefore a handy way of looking to see which les are physically
present in the project folder.
Description: This eld allows you to enter a description of the MIDI clip, or make notes for future ref-
erence. Bear in mind that this eld is scanned by the search tool. By inserting simple keywords into
descriptions, you can make it very easy to locate material later.
Delete source le: Click this button to delete the source MIDI le. Be aware, this operation cannot be
undone! Once the source le has been deleted, you can use the nd missing le option to associate
the item with an alternate le.
Delete item: Click this button to remove the item from the project. You will be prompted to choose
whether you want to remove the source le as well.
Keyboard shortcut: DELETE or BACKSPACE.
Add marker: This option allows you to mark points of interest in MIDI clips. Drag the arrow to point at
the region to which you wish attention to be drawn.
Preview:
Click this to preview the MIDI le. The preview will be played through the default output MIDI de-
vice.
Preview level: Use this option to adjust the velocity level at which previews will be played. Note, be-
cause different MIDI instruments, and even programs on those instruments, react differently to velocity
level changes, this option is not guaranteed to adjust the volume.
Figure 1.10.2
Figure 1.10.1
- REFERENCE MANUAL 1
- Tracktion 4 Reference Manual 2
- Table of Contents 3
- Introduction 5
- Figure I.2.1 6
- Sample Resolution (Bit Depth) 7
- Introduction 3: MIDI Basics 9
- Chapter 1: The Projects Page 11
- 1.1 : An Overview 12
- Figure 1.1.2 13
- Figure 1.1.3 13
- Figure 1.1.4 14
- Figure 1.2.1 16
- Figure 1.2.2 16
- Figure 1.2.3 17
- Figure 1.2.5 18
- Figure 1.2.4 18
- 1.3 : The Items List 19
- 1.4 : The Control Panel 20
- Figure 1.4.3 21
- Figure 1.4.4 22
- 1.5 : The Clipboard Panel 23
- 1.6 : The Search Tool 24
- 1.7 : Template Projects 25
- 1.8 : Edit Properties 26
- Figure 1.8.3 27
- 1.9 : Audio Item Properties 28
- Figure 1.9.3 29
- The Basic Editing Options 30
- Figure 1.9.6 31
- 1.10 : MIDI Item Properties 32
- 1.11 : Movie Item Properties 33
- Chapter 2: The Settings Page 34
- 2.1 : Audio I/O 35
- PC And ASIO Drivers 37
- Mac And CoreAudio Drivers 37
- Input Device Properties 37
- Figure 2.1.3 39
- Output Device Properties 40
- 2.2 : MIDI I/O 41
- MIDI Input Device Properties 42
- MIDI Output Device Properties 43
- 2.3 : User Interface 44
- Using The Colour Editor 47
- Figure 2.3.3 48
- 2.4 : Plug-Ins 49
- 2.5 : Loop Settings 50
- 2.6 : File Settings 52
- 2.7 : Key-Mappings 53
- 2.8 : Control Surfaces 54
- Custom Controllers 55
- Figure 2.8.3 56
- Figure 2.8.4 56
- Figure 2.8.5 56
- Figure 2.8.6 57
- Figure 2.8.7 58
- Chapter 3: The Edit Page 59
- 3.1 : An Overview 60
- Figure 3.1.3 61
- Figure 3.1.4 61
- Figure 3.1.5 62
- Figure 3.1.6 62
- Figure 3.1.7 62
- Figure 3.1.8 63
- Figure 3.1.9 63
- 3.2 : The Quick Find Panel 64
- Figure 3.2.4 65
- The Loops Mode 66
- The Markers Mode 67
- The Clipboard Mode 67
- 3.3 : Working With Tracks 68
- Folder Tracks 69
- Figure 3.3.3 70
- Figure 3.3.4 70
- Figure 3.3.5 71
- Figure 3.3.6 71
- Figure 3.3.7 72
- Figure 3.3.8 72
- The Track Properties 73
- Figure 3.3.10 74
- Figure 3.3.11 74
- Folder Track Properties 75
- 3.4 : The Filter Section 76
- The Right-Click Options 77
- The Mute / Solo Buttons 78
- The Volume / Pan Filter 79
- Figure 3.4.8 80
- The Level Meter Filter 81
- The 4-Band Equaliser 82
- The Tracktion Sampler 83
- The Aux Send / Return Filters 85
- The ReWire Filter 86
- Figure 3.4.22 87
- 3.5 : The Control Section 88
- Figure 3.5.3Figure 3.5.2 90
- 3.6 : The Transport Section 91
- The Master Filter Section 92
- Figure 3.6.2 93
- Figure 3.6.3 93
- Chapter 4: Working With Clips 95
- 4.1 : An Overview Clips 96
- The Clip Tools 97
- 4.2 : Working With Clips 98
- Selecting Multiple Clips 100
- 4.3 : MIDI and MIDI Clips 101
- Figure 4.3.2 102
- Figure 4.3.3 102
- Figure 4.3.4 102
- Figure 4.3.5 103
- Figure 4.3.8 104
- Figure 4.3.6 104
- Figure 4.3.7 104
- The MIDI Clip Properties 105
- Figure 4.3.11 106
- Figure 4.3.12 107
- Figure 4.3.13 107
- Figure 4.3.14 107
- Figure 4.3.15 108
- Figure 4.3.16 109
- 4.4 : The MIDI Editor 110
- Figure 4.4.2 111
- Figure 4.4.3 111
- The Velocity Editor 112
- Editing Controller Events 113
- Step Entry 114
- Figure 4.5.1 115
- Figure 4.5.2 116
- 4.6 : Audio Clips 117
- Figure 4.6.2 118
- Figure 4.6.5 119
- Figure 4.6.3 119
- Figure 4.6.4 119
- Figure 4.6.7 120
- Figure 4.6.6 120
- Figure 4.6.8 121
- 4.7 : Looping Clips 122
- Looping MIDI Clips 123
- Figure 4.7.4 124
- Figure 4.7.5 125
- Figure 4.7.7 125
- Figure 4.7.6 125
- Figure 4.7.8 126
- Chapter 5: Recording 127
- Figure 5.2.1 129
- Figure 5.2.3 129
- Figure 5.2.2 129
- Normal Recording Mode 130
- Punched Recording Mode 131
- Looped Recording Mode 131
- Step Recording Mode 132
- And Snap To Grid 133
- Signatures 134
- Figure 6.2.2 135
- Figure 6.2.3 136
- Figure 6.2.4 137
- Figure 6.2.5 137
- Figure 6.3.1 138
- Figure 6.3.2 138
- Figure 6.3.3 139
- Figure 6.3.4 139
- Figure 6.4.1 140
- Figure 6.5.1 141
- Working With MIDI Clock 142
- Working With MIDI Timecode 142
- MIDI Machine Control (MMC) 143
- Figure 6.7.2 144
- Figure 6.7.1 144
- Chapter Contents 145
- Figure 7.2.1 146
- 7.3 : Mix Automation 147
- Figure 7.3.2 148
- Figure 7.3.3 148
- Figure 7.3.4 Figure 7.3.5 148
- Figure 7.3.6 148
- Figure 7.3.7 148
- Figure 7.3.8 149
- Figure 7.3.9 149
- Figure 7.3.10 150
- Figure 7.3.11 151
- Figure 7.3.13 152
- Figure 7.3.12 152
- Figure 7.3.14 153
- Figure 7.3.15 153
- Figure 7.3.16 154
- The Automation Button Options 155
- 7.4 : Using Control Surfaces 156
- Figure 7.4.1 157
- Figure 7.4.2 157
- Figure 7.4.3 158
- Figure 7.4.4 158
- Figure 7.4.5 159
- Figure 7.4.6 160
- Figure 7.4.7 161
- Figure 7.4.8 161
- Figure 7.4.9 162
- Figure 7.4.10 163
- Figure 7.4.11 164
- Figure 7.4.12 165
- Figure 7.4.13 165
- Using The Mackie C4 166
- Using the Remote SL 169
- And Rendering 172
- Figure 8.1.1 173
- Figure 8.1.2 174
- 8.2 : Exporting Audio 175
- Figure 8.2.2 177
- 8.3 : Exporting MIDI 178
- Rendering Tracks 179
- Freezing Tracks 180
- Figure 8.5.1 181
- Figure 8.5.2 181
- Figure 8.6.1 182
- Chapter 9: Rack Filters 183
- Figure 9.1.2 184
- The Rack Filter Editor 185
- Figure 9.2.2 186
- Figure 9.2.3 186
- Building A Rack By Hand 188
- Figure 9.3.3 189
- Figure 9.3.4 189
- Figure 9.3.5 190
- Figure 9.4.1 190
- Figure 9.4.2 191
- Figure 9.4.3 191
- The Track Spanning Approach 192
- The Modular Approach 193
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