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Chapter 19: Other AudioSuite Plug-ins 97
Normalize
The Normalize plug-in optimizes the volume
level of an audio selection. Use it on material re-
corded with too little amplitude, or on material
whose volume levels are inconsistent (as in a
poorly recorded narration).
Unlike compression and limiting, which modify
the dynamics of audio material, normalization
preserves dynamics by uniformly increasing (or
decreasing) amplitude.
Max Peak At Specifies how close to maximum
level (clipping threshold) the peak level of a se-
lection is boosted. Set this value by adjusting the
Max Peak At slider, by entering a numeric deci-
bel value below the clipping threshold, or by en-
tering a percentage of the clipping threshold.
You can normalize stereo pairs together so that
two sides of a stereo signal are processed relative
to each other.
RMS/Peak Toggle Switches the calibration of
normalizing between Peak or RMS modes. Peak
mode normalizes the input signal at the maxi-
mum possible level without clipping. RMS mode
normalizes the input signal at a level consistent
with the RMS (Root-Mean-Square) value, or the
effective average level of the selected region.
Normalizing Multiple Regions Across Tracks
When multiple regions are selected across mul-
tiple tracks, the Normalize plug-in can search for
peaks in two different modes:
Peak On Each Chan/Track Searches for the peak
level on a channel-by-channel or track-by-track
basis.
Peak On All Chans/Tracks Searches for the peak
level of the entire selection. If ten tracks are se-
lected, for example, the Normalize function will
find the peak value from all ten.
To normalize an audio region (or selection):
1 Select the region you want to normalize.
2 Choose AudioSuite > Other > Normalize.
3 Adjust the Level slider as desired.
4 Ensure that Use In Playlist is enabled.
5 Click Process.
To prevent clipping during sample rate con-
version, Normalize to no greater than the
range between –2 dB to –0.5 dB. Optimum
settings will vary with your program mate-
rial and your Conversion Quality setting (in
the Editing tab of the Preferences dialog).
Normalize plug-in
- DigiRack 1
- Plug-ins 1
- Legal Notices 2
- Documentation Feedback 2
- Contents iii 3
- DigiRack Plug-ins Guideiv 4
- Contents v 5
- DigiRack Plug-ins Guidevi 6
- Introduction 7
- Plug-in Formats 8
- System Requirements and 9
- Compatibility 9
- Plug-ins for Pro Tools 9
- Plug-ins for VENUE 9
- Conventions Used in This 10
- About www.digidesign.com 10
- Click Controls 11
- Creating a Click Track 12
- DigiRack D-Fx Plug-ins 13
- (AudioSuite Only) 14
- Multi-Tap Delay 15
- Ping-Pong Delay 16
- Selecting Audio for 17
- AudioSuite Delay Processing 17
- DigiRack Plug-ins Guide12 18
- (TDM and RTAS) 19
- Dither Controls 20
- D-Verb Controls 21
- Algorithm 22
- Diffusion 22
- Pre-Delay 23
- Hi Frequency Cut 23
- Low-Pass Filter 23
- DigiRack Plug-ins Guide18 24
- Dynamics III 25
- Input and Output Meters 26
- Gain Reduction Meter 26
- Threshold Arrow 26
- Phase Invert 26
- Dynamics Graph Display 27
- Compressor/Limiter III 28
- About Limiting 29
- Side-Chain Section 31
- Expander/Gate III 32
- Threshold 33
- De-Esser III 34
- De-Esser III Controls 35
- Frequency 36
- HF Frequency Control 38
- LF Frequency Control 38
- Side-Chain Processing 39
- DigiRack Plug-ins Guide34 40
- EQ III Configurations 41
- EQ III Controls 42
- Using Band-Pass Mode 43
- I/O Controls 44
- EQ Band Controls 45
- Frequency Graph Display 46
- 7 Band EQ 47
- Low-Pass/High Notch 48
- Low Shelf/Low Peak 49
- Low-Mid Peak 50
- Mid Peak 50
- High-Mid Peak 51
- High Shelf/High Peak 51
- 2–4 Band EQ 52
- 1 Band EQ 53
- Notch Filter 54
- High-Shelf EQ 54
- Low-Shelf EQ 54
- DigiRack Plug-ins Guide50 56
- Mod Delay II 57
- DigiRack Plug-ins Guide52 58
- Tempo Sync icon 58
- Tempo Sync 58
- Multichannel Mod Delay II 59
- Selections for ModDelay II 59
- AudioSuite Processing 59
- DigiRack Plug-ins Guide54 60
- Pitch Controls 61
- DigiRack Plug-ins Guide56 62
- Relative pitch entry 62
- Chapter 9: Pitch 57 63
- DigiRack Plug-ins Guide58 64
- Pitch Shift 65
- DigiRack Plug-ins Guide60 66
- POW-r Dither 67
- DigiRack Plug-ins Guide62 68
- (RTAS Only) 69
- DigiRack Plug-ins Guide64 70
- ReWire Requirements 71
- Using ReWire 72
- MIDI Automation with ReWire 73
- Quitting ReWire Client 74
- Applications 74
- Tempo and Meter Changes 75
- Looping Playback 75
- Automating ReWire Input 76
- Switching 76
- Signal Generator 77
- AudioSuite Processing with 78
- SignalTools 79
- PhaseScope 80
- SignalTools Display Options 81
- Leq(A) Meter Display 82
- SignalTools Level Meters 83
- Meter Peak Hold Options 84
- Reference Mark Options 84
- TimeAdjuster 85
- Using TimeAdjuster for 86
- Manual Delay Compensation 86
- When to Compensate for 87
- DigiRack Plug-ins Guide82 88
- Time Compression/Expansion 89
- DigiRack Plug-ins Guide84 90
- Time Shift 91
- Clip Indicator 92
- Level Indicator 92
- Chapter 17: Time Shift 87 93
- Transient 94
- Chapter 17: Time Shift 89 95
- AudioSuite Input Modes 97
- AudioSuite Preview 97
- AudioSuite TCE Plug-in 97
- Preference 97
- Processing Audio 98
- Trim Controls 99
- DigiRack Plug-ins Guide94 100
- Other AudioSuite Plug-ins 101
- DigiRack Plug-ins Guide96 102
- Gain plug-in 102
- Invert plug-in 102
- Normalize 103
- DigiRack Plug-ins Guide98 104
- Reverse plug-in 104
- DSP Requirements 106
- Monitoring DSP Usage 108
- Duplicate 95 111
- DigiRack Plug-ins Guide106 112
- Index 107 113
- DigiRack Plug-ins Guide108 114
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